Some people see racism around every corner, while others dismiss those concerns, arguing that racism is virtually non-existent since passage of the Civil Rights Act in 1964.
I find those two extremes equally silly, but I’m not so sure where this blog post falls on that racism spectrum.
For as long as I can remember, I have been a huge fan of the King Kong movie franchise.
As a very young child, my fascination with monsters and science fiction had me enraptured with the original 1933 film, starring Fay Wray as Kong’s love interest.
The first major studio remake — released in 1976 — drew me in even deeper. I was 12 years old. I still sometimes think about those images of Jessica Lange frolicking on a tropical beach wearing only cut-off shorts and a skimpy top.
In short, that 1976 film became a coming-of-age movie for me. If you’ve seen it, you know what I mean. It was the first time I saw a woman’s breasts revealed – no matter how briefly – on film.
There have been a lot of remakes and variations of King Kong, but Peter Jackson’s 2005 version came closest to capturing the essence of the original man v. nature classic.
All three of these films follow a common theme: beauty calms the savage beast.
Spoiler alert: in all three films, Kong dies a tragic death after being riddled with bullets from passing planes – first, atop the Empire State Building; and then from atop of the World Trade Center in 1976; and finally — again from the top of the Empire State Building in the final film version of 2005.
All three films share some very common themes that run the gamut of modern-day social issues: corporate greed, natural resource exploitation, abuse of indigenous people, animal cruelty and sheer human folly.
But all three films also have something else in common.
They each appear to be rather racist, both in their narratives and filming.
In all three movies, Kong is portrayed as a rather lonely dude living on a remote, uncharted island surrounded by Black natives who are invariably living a primordial existence without all the trappings and benefits of the technologically advanced white folk explorers.
Kong sees a white, blonde woman
and almost literally loses his shit
with equal parts fascination and lust.
Kong seems bored with the regular sacrifices given to him by the natives who revere him as a mighty and potentially vengeful god.
But then – for various reasons in each film – Kong sees a white, blonde woman and almost literally loses his shit with equal parts fascination and lust.
Wow! What is this? What have I been missing all these years?
In each film, it is the native people who abduct the white woman because they somehow “know” that Kong will – like most gentlemen – prefer blondes.
Look, don’t get me wrong. I still enjoy watching all three of the main King Kong films, but it does seem strange that right up until 2005 the movies have an unmistakable racist bent.
Can you imagine an uncharted tropical island where the natives are white and they offer their resident beast a Black woman to satisfy his cravings? Can you imagine if these Black explorers were technologically and intellectually superior to the white natives?
Some people complain about a noticeable absence of Black people on television shows such as Seinfeld, Friends and Happy Days. Are those shows racist? I don’t think so. But I do know this:
For nearly a century, Kong has been getting his heart broken by a white chick.
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Randy Seaver is a cranky, nearly insufferable malcontent living in Biddeford. He may be contacted by email: randy@randyseaver.com
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